By
definition, a Salon is a periodic gathering of people
of social or intellectual distinction, noted in literature, philosophy, the
fine arts and similar areas.
These ‘fashionable parties’ thrived during the Enlightenment.
Since we find ourselves in a very new age of enlightenment, THALATTA!
has graciously borrowed the term for a new century and created our own SALON
SERIES. We present this as an opportunity for audience members to
participate at earlier stages of our development. Very often, the public only
witnesses the final product. THALATTA!
believes that an active engagement with our members throughout the creative
process can only enhance the final presentation.
Highlights of the SALON SERIES will include the staged readings
of new international plays, interactive workshops exploring our training methods
and open rehearsals of upcoming productions. Following each of these events
will be a discussion at a local restaurant or tavern, where the audience can
talk with company members about what they’ve just seen or would like
to see in the future.
If you would like to receive more information about the SALON SERIES or would like to make a suggestion, please write us at contact@thalattatheatre.org



ringfinger – a cabaret about equality
On
March 22nd, 2005, THALATTA! Theatre International
produced a benefit performance of Patrick Mellen's new solo show, ringfinger
– a cabaret about equality. All proceeds were donated to Marriage
Equality New York – the statewide, grass-roots organization committed
to ending discrimination in civil marriage.
ringfinger – a cabaret about equality was presented at the
Triad Theater and featured songs by Nina Simone, Green Day, Nine Inch Nails,
Tom Waits, Nellie McKay and The Rolling Stones. Patrick was accompanied on
the piano by Douglas Maxwell and directed by DJ Salisbury.
Playing
the Victim
Staged reading on June 20th, 2005
The
title refers to the job the young Valya performs in a crime scene re-enactment
squad. Supervised by his foul-mouthed and corrupt captain, Valya 'plays the
victims' with suspects who are returned to the scenes of their violent crimes.
They are surrounded by active, if bumbling, assistants, including Sergeant
Seva and Lyuda, who tapes everything on a video camera.
The Moscow Times says it "has the feel of a watershed...you
walk out of the auditorium with the suspicion that the theatrical temperature
has changed...Playing the Victim is a major new
work, an important new chapter in the history of contemporary drama that is
being written before our very eyes."